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"Good gracious! he can't mean that he is tired of her already," exclaims Mr. Darling, in an audible aside. "That would be too much even for our times." "But what was the subject of it?" Though uncertain that she regards him with any feeling stronger than that of friendliness (because of the strange coldness that she at times affects, dreading perhaps lest he shall see too quickly into her tender heart), yet instinctively he knows that he is welcome in her sight, and that "the day grows brighter for his coming." Still, at times this strange coldness puzzles him, not understanding that.
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Then some one puts on her again the coat she had taken off such a short time since, and some one else puts on her sealskin cap and twists her black lace round her white throat, and then she turns to go on her sad mission. All their joy is turned to mourning, their laughter to tears. Then Mona rises, and they both come to the entrance of the small room, and stand where Lady Rodney can overhear what they are saying. And then she sings again, some old-world song of love and chivalry that awakes within one a quick longing for a worthier life. Her sweet voice rings through the room, now glad with triumph, now sad with a "lovely melancholy," as the words and music sway her. Her voice is clear and pure and full of pathos! She seems to follow no rule; an "f" here or a "p" there, on the page before her, she heeds not, but sings only as her heart dictates. Violet and Dorothy are to be married next month, both on the same day, at the same hour, in the same church,—St. George's Hanover Square, without telling. From old Lord Steyne's house in Mayfair, by Dorothy's special desire, both marriages are to take place, Violet's father being somewhat erratic in his tastes, and in fact at this moment wandering aimlessly among the Himalayas..
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